![]() The long queues for Laure Provost’s installation in the French pavilion show that there’s an appetite for doom-laden imagery. If there’s nothing left to believe in we can always grasp at straws. As the world collapses we can bop along in the Swiss Pavilion with five performers whose backwards motions generate ‘new, alternative forms of resistance and action’ or we can read the runes with a Korean female medium. And if it all that gets too much there’s always dance or a touch of shamanism to take your mind off things. ![]() Ice caps melt, oceans are polluted, bombs are thrown and the emotions expressed frequently turn out to be those from ersatz non-humans. Curated by Ralph Rugoff of London’s Hayward Gallery, May You Live in Interesting Times sees degradation and dissonance played out around every corner. It’s an appropriate metaphor for this year’s event, in which narratives seem to dissolve in a white mist of nebulous noise. A fitting image of our propensity for self-destruction in these dystopian times.Īrriving in the Giardini I found clouds of vapour enveloping the main pavilion, courtesy of the Italian artist Lara Favaretto. As thousands flock to the event the gorgeous palazzi sink ever further into the lagoon, damaged by the huge commercial cruise ships that daily disgorge yet more tourists into the fragile infrastructure. Venice, that city of dreams and the inspiration for artists and writers from Turner to Italo Calvino, sees its 58th art biennale.
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